Here is a free parctice set of MCQ on WILLIAM WORDSWORTH'S THE WORLD IS TOO MUCH WITH US with answers. This set of MCQ onWILLIAM WORDSWORTH'S THE WORLD IS TOO MUCH WITH US will help student prepare for WB SLST exam.
Section 1: Poem Text & Context
1. The poem is a:
A) Shakespearean sonnet
B) Petrarchan sonnet
C) Spenserian sonnet
D) Miltonic sonnet
Answer: B (Octave + sestet, ABBA ABBA CDCDCD)
2. The poem critiques humanity’s:
A) Lack of scientific progress
B) Disconnection from nature
C) Over-reliance on religion
D) Political corruption
Answer: B
3. "The world is too much with us" implies:
A) The planet is overpopulated
B) Materialism dominates human life
C) Nature is too powerful
D) People are too social
Answer: B
4. The poem was published in:
A) 1798
B) 1807
C) 1815
D) 1820
Answer: B (Poems, in Two Volumes)
5. Wordsworth’s central complaint is that people:
A) Ignore political injustice
B) Waste time on idle pleasures
C) Prioritize wealth over nature
D) Reject technological advances
Answer: C
6. The "sordid boon" (line 4) is:
A) A gift from nature
B) Materialistic gains
C) A religious blessing
D) A poetic inspiration
Answer: B
7. The poem’s volta occurs at:
A) Line 9 ("Great God!")
B) Line 8 ("For this...")
C) Line 12 ("Have sight of Proteus...")
D) Line 14 ("Or hear old Triton...")
Answer: A
8. The "Sea that bares her bosom to the moon" (line 5) is an example of:
A) Personification
B) Simile
C) Metaphor
D) Synecdoche
Answer: A
9. The poem’s rhyme scheme in the sestet is:
A) CDECDE
B) CDCDCD
C) CDDCDC
D) CCDEED
Answer: B
10. Wordsworth’s tone in the octave is:
A) Celebratory
B) Satirical
C) Despairing
D) Indifferent
Answer: C
11. The poem reflects the ideals of:
A) The Enlightenment
B) Romanticism
C) Victorian morality
D) Modernism
Answer: B
12. "Getting and spending" (line 2) refers to:
A) Economic exploitation
B) Consumerism
C) Trade policies
D) Agricultural labor
Answer: B
13. The poem’s structure is:
A) An argument followed by a resolution
B) A description followed by a question
C) A lament followed by a fantasy
D) A story followed by a moral
Answer: C
14. Wordsworth’s critique aligns with his views on:
A) The French Revolution
B) The Industrial Revolution
C) The American Revolution
D) The Scientific Revolution
Answer: B
15. The poem’s meter is primarily:
A) Iambic pentameter
B) Trochaic tetrameter
C) Anapestic trimeter
D) Dactylic hexameter
Answer: A
Section 2: Themes & Imagery
16. "We lay waste our powers" (line 2) suggests:
A) Physical exhaustion
B) Spiritual depletion
C) Military defeat
D) Economic inflation
Answer: B
17. The "winds that will be howling" (line 6) symbolize:
A) Nature’s fury
B) Human ignorance
C) Divine punishment
D) Political unrest
Answer: A
18. "Little we see in Nature that is ours" (line 3) reflects:
A) Environmental destruction
B) Human alienation from nature
C) The decline of agriculture
D) The rise of urbanization
Answer: B
19. The "creed outworn" (line 10) refers to:
A) Christianity
B) Paganism
C) Deism
D) Atheism
Answer: B
20. Wordsworth’s longing to be a "Pagan" (line 9) stems from his desire for:
A) Political freedom
B) Mythological adventure
C) A deeper connection to nature
D) Rejection of monotheism
Answer: C
21. Proteus and Triton are invoked to contrast:
A) Ancient vs. modern spirituality
B) Land vs. sea
C) Reason vs. emotion
D) Art vs. science
Answer: A
22. "For this, for everything, we are out of tune" (line 8) uses:
A) Musical metaphor
B) Biblical allusion
C) Paradox
D) Irony
Answer: A
23. The poem’s imagery is predominantly:
A) Urban
B) Pastoral
C) Gothic
D) Cosmic
Answer: B
24. The "boon" in "sordid boon" (line 4) is ironic because it is:
A) A false blessing
B) A divine gift
C) A natural wonder
D) A poetic device
Answer: A
25. Wordsworth’s fantasy of seeing Proteus emphasizes:
A) The power of imagination
B) The superiority of Greek gods
C) The need for scientific inquiry
D) The danger of the ocean
Answer: A
26. The poem’s mood shifts from:
A) Anger to acceptance
B) Despair to longing
C) Joy to sorrow
D) Hope to disillusionment
Answer: B
27. "The world" in the title refers to:
A) The physical planet
B) Human society
C) The universe
D) The afterlife
Answer: B
28. The "sleeping flowers" (implied in nature’s neglect) symbolize:
A) Lost beauty
B) Untapped potential
C) Seasonal cycles
D) Human indifference
Answer: B
29. Wordsworth’s critique of materialism anticipates:
A) Marxist theory
B) Freudian psychology
C) Darwinian evolution
D) Newtonian physics
Answer: A
30. The poem’s closing image of Triton’s horn suggests:
A) A call to awaken humanity
B) A symbol of maritime power
C) A religious prophecy
D) A musical celebration
Answer: A
Section 3: Literary Devices & Structure
31. "The world is too much with us" is an example of:
A) Hyperbole
B) Litotes
C) Paradox
D) Understatement
Answer: A
32. The enjambment in lines 1-2 emphasizes:
A) The relentless pace of modern life
B) The fragmentation of nature
C) The poem’s musicality
D) The speaker’s confusion
Answer: A
33. "Great God!" (line 9) is a(n):
A) Apostrophe
B) Invocation
C) Exclamation
D) All of the above
Answer: D
34. The caesura in line 4 ("Getting and spending, we lay waste our powers") creates a:
A) Pause for reflection
B) Sense of urgency
C) Musical rhythm
D) Dramatic climax
Answer: A
35. The sestet’s shift to mythology serves to:
A) Escape reality
B) Criticize ancient beliefs
C) Propose an alternative worldview
D) Show off classical knowledge
Answer: C
36. The poem’s structure mirrors:
A) A logical argument
B) An emotional journey
C) A musical composition
D) A religious sermon
Answer: B
37. "Have sight of Proteus rising from the sea" (line 13) is:
A) A visual hallucination
B) A symbolic vision
C) A historical reference
D) A scientific observation
Answer: B
38. The repetition of "For" in line 8 emphasizes:
A) Causality
B) Futility
C) Anger
D) Hope
Answer: A
39. The poem’s closing lines are:
A) Resigned
B) Hopeful
C) Ambiguous
D) Triumphant
Answer: C
40. Wordsworth’s use of sonnet form underscores:
A) The tension between constraint and passion
B) His adherence to tradition
C) A rejection of free verse
D) The poem’s musicality
Answer: A
41. The "winds that will be howling" (line 6) contrast with:
A) Human silence
B) Urban noise
C) The sea’s calm
D) Triton’s horn
Answer: A
42. The poem’s lack of a resolution reflects:
A) Wordsworth’s pessimism
B) The complexity of the issue
C) The sonnet’s limitations
D) A deliberate open-endedness
Answer: D
43. The volta’s exclamation ("Great God!") introduces a tone of:
A) Anger
B) Desperation
C) Irony
D) Awe
Answer: B
44. The sestet’s mythology contrasts with the octave’s:
A) Realism
B) Religion
C) Politics
D) Science
Answer: A
45. The poem’s final line ("Or hear old Triton blow his wreathed horn") is:
A) A literal command
B) A metaphorical wish
C) A historical fact
D) A religious prophecy
Answer: B
Section 4: Mythological & Philosophical Depth
46. Proteus symbolizes:
A) Change and prophecy
B) War and strength
C) Love and beauty
D) Death and rebirth
Answer: A
47. Triton’s horn symbolizes:
A) Divine authority
B) A call to awaken
C) Musical harmony
D) Naval power
Answer: B
48. Wordsworth’s preference for paganism reflects his:
A) Atheism
B) Pantheism
C) Deism
D) Agnosticism
Answer: B
49. The "creed outworn" (line 10) critiques:
A) Organized religion
B) Ancient myths
C) Scientific rationalism
D) Political dogma
Answer: A
50. The poem’s mythological references serve to:
A) Escape modernity
B) Reject Christianity
C) Re-enchant nature
D) Critique Greek culture
Answer: C
51. Wordsworth’s despair stems from:
A) Political oppression
B) Spiritual emptiness
C) Personal loss
D) Economic hardship
Answer: B
52. The poem’s philosophical roots align with:
A) Rousseau’s "noble savage"
B) Locke’s tabula rasa
C) Hobbes’ "state of nature"
D) Marx’s class struggle
Answer: A
53. "Pagan suckled in a creed outworn" (line 10) suggests:
A) A rejection of all religion
B) A nostalgia for pre-Christian harmony
C) A critique of superstition
D) A desire for polytheism
Answer: B
54. The poem’s ecological message anticipates:
A) Modern environmentalism
B) Darwinism
C) Industrialization
D) Urban planning
Answer: A
55. Wordsworth’s critique of "getting and spending" parallels:
A) Thoreau’s Walden
B) Blake’s "dark Satanic mills"
C) Shelley’s Ozymandias
D) Keats’ "Ode to a Nightingale"
Answer: B
56. The poem’s closing wish is:
A) A return to myth
B) A revival of nature’s voice
C) A rejection of industry
D) A call to prayer
Answer: B
57. Proteus and Triton represent:
A) Lost wisdom
B) Untamed nature
C) Artistic inspiration
D) Divine wrath
Answer: B
58. The "out of tune" metaphor (line 8) implies:
A) Musical failure
B) Spiritual dissonance
C) Poetic inadequacy
D) Social discord
Answer: B
59. Wordsworth’s "Pagan" fantasy is:
A) A literal desire
B) A symbolic protest
C) A historical allusion
D) A personal confession
Answer: B
60. The poem’s enduring relevance lies in its critique of:
A) Capitalism
B) Technology
C) Urbanization
D) All of the above
Answer: D
Section 5: Advanced Analysis & Criticism
61. A Marxist reading of the poem would focus on:
A) Class struggle
B) Alienation from labor
C) Commodification of nature
D) All of the above
Answer: D
62. An ecocritical approach would emphasize:
A) Nature’s agency
B) Human exploitation
C) The sublime
D) All of the above
Answer: D
63. The poem’s tension between "world" and "nature" reflects:
A) The Romantic sublime
B) Industrial vs. pastoral
C) Sacred vs. profane
D) Reason vs. emotion
Answer: B
64. Wordsworth’s use of the sonnet form challenges:
A) Poetic tradition
B) Social conventions
C) Religious dogma
D) Scientific rationalism
Answer: A
65. The poem’s volta mirrors:
A) A psychological breakdown
B) A spiritual epiphany
C) A political revolution
D) A scientific discovery
Answer: B
66. The "sordid boon" (line 4) exemplifies:
A) Oxymoron
B) Paradox
C) Irony
D) All of the above
Answer: D
67. The poem’s closing lines leave the reader with:
A) A sense of hopelessness
B) A glimmer of possibility
C) A moral lesson
D) A historical warning
Answer: B
68. Wordsworth’s critique of materialism is most radical in its:
A) Rejection of wealth
B) Spiritual alternative
C) Mythological escapism
D) Political agenda
Answer: B
69. The poem’s historical context includes:
A) The Napoleonic Wars
B) The Industrial Revolution
C) The decline of rural life
D) All of the above
Answer: D
70. A Freudian reading might interpret "Proteus rising from the sea" as:
A) A subconscious desire
B) A repressed memory
C) A dream symbol
D) All of the above
Answer: D
71. The poem’s lack of a human protagonist underscores:
A) Nature’s centrality
B) Human insignificance
C) Wordsworth’s loneliness
D) The sonnet’s limitations
Answer: A
72. The "wreathed horn" (line 14) symbolizes:
A) Art’s power
B) Nature’s voice
C) Divine intervention
D) Historical continuity
Answer: B
73. The poem’s enduring power lies in its:
A) Universal theme
B) Emotional intensity
C) Mythological depth
D) All of the above
Answer: D
74. Wordsworth’s final image ("Triton blow his horn") is:
A) A desperate plea
B) A defiant act
C) A nostalgic fantasy
D) A prophetic warning
Answer: C
75. The poem’s greatest irony is:
A) Nature’s beauty is ignored
B) Paganism is idealized but lost
C) Materialism corrupts spirituality
D) All of the above
Answer: D
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